舊區重建，獨力支撐紙紮店的陽伯日漸衰老，只有親手製作的紙紮公仔夜夜相伴。店內生意冷清，一對公仔苦惱無法抵達陰間，計畫進行絕地大逃亡……。香港演員麥詠楠挑戰短片創作，自導自編自演，主題大膽、風格鮮明，堪稱紙紮版《玩具總動員》，又驚又笑之餘，也帶出一股告別往日的感傷。

舒适恬淡的一天，善良可爱的米妮（Ruth Clifford 配音）没有去找男朋友米奇玩，而是待在家里学习急救知识。虽然对照书本去做，但是她一个人始终无法兼顾，结果绷带都缠在了头上，连在一旁观看的布鲁托和小猫费加罗也一个劲地摇头叹息。无奈的米妮，只得回过头向这两个小家伙求助。听到主人的召唤，他们都跃跃欲试，不过一肚子小九九的布鲁托踢开了费加罗，还让米妮训斥了小猫一顿。费加罗一肚子怨气，只能在一旁气鼓鼓地看着。 　　在模拟按摩的时候，布鲁托洋相百出，令费加罗忍俊不禁。等到包扎的时候，米妮发现绷带不够，于是起身离开。面对被包得不能动弹的布鲁托，小猫知道报仇的机会来了……

一度备受好评的纽约剧作家NATE（Jemaine Clement饰）正在努力完成他的新剧，当时他的妻子（Maria Dizzia）离开了他，带走了他们的儿子....

一度备受好评的纽约剧作家NATE（Jemaine Clement饰）正在努力完成他的新剧，当时他的妻子（Maria Dizzia）离开了他，带走了他们的儿子....

Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.

Livia Angelli, step into the role of her estranged daughter Mimi who shows up at her doorstep, right out of rehab. When she's met by her mother's callous dismissal, Mimi snaps and looks to exact revenge on the woman who barely raised her.

Livia Angelli, step into the role of her estranged daughter Mimi who shows up at her doorstep, right out of rehab. When she's met by her mother's callous dismissal, Mimi snaps and looks to exact revenge on the woman who barely raised her.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.